The quantity and quality of one’s collection of exquisite silks and textiles during the 17th century served as a visible indicator of affluence.
Discover Antique 17th-Century Persian Suzani Embroidery
It is a rare delight to come upon an existing Safavid Dynasty artefact. Such artworks are unfortunately uncommon because of the fragility of organic materials and metals. This piece demonstrates the diversity and complexity of the looms.
This design was influenced by conventional Persian rug patterns from the same time period. Large rug (שטיח גדול) looks so beautiful . It is made of two pieces of cloth, one of which is a small that acts as the border and the other is a field pattern. The unique, historical piece’s richer colour and beautiful blossoms are a joy to the senses.
Authentic Silk Textiles from Kerman, Iran
This outstanding example of 19th-century craftsmanship is a silk embroidery with a beautiful, complex design. No other material can duplicate the sheen that silk naturally possesses. Astonishing artistic expression is also possible, and it takes colour nicely.
This artwork was created with the intention of being used as a rug, and it incorporates a vase motif that was popular in old Persian rugs. This piece increases the amount of detail to a point where it resembles a beautiful painting more. The style is refined and lovely.
The purpose of rug (שטיח פרווה צפופה) of this type was frequently to hang them on walls, use them during religious rituals, or place them in less-trafficked sections of the court. Many old Iranian fabrics from this era have a delicate, polished feel about them, and the colours only serve to emphasize that.
The Persian Qashqai Overcoat from Antiquity
A collection of clans in the vicinity of Esfahan is known as the Qashqai. They are a multicultural tribe, including Turks, Kurds, Arabs, and Persians among their members. They have historically been a nomadic tribe.
This overcoat was developed around the turn of the 20th century. With its lovely colours and tribal fringe, it serves as an outstanding illustration of tribal weaving. The purpose of this large, hefty object is to provide weather protection.
The long, narrow sleeves are an example of a design element included in traditional Safavid Dynasty attire for both men and women. The lower half of the arm was frequently given a puffy, ruffled appearance by pushing up the sleeves. This item seems to have been assembled from various clothing pieces.
When a piece of clothing or other clothing became worn out, they would frequently recycle what was still usable and turn it into a new item. Compared to urban centre pieces, tribal pieces are less common. It is an exquisite work of tribal art from the past.
A vintage shawl from Esfahan, Iran
This elegant, late 19th-century antique shawl originates from the Esfahan area. The boteh, or perpetual flame, as well as lucky birds and other tribal motifs from a medallion rug served as inspiration. It displays exquisite detail and amazing colour utilization.
For modesty, these shawls were worn around the shoulders or as head coverings. This one is a lovely illustration of how significant a role they once had in women’s wardrobes. The intricate pattern on the shawl is a superb illustration of the Iranian textile weavers’ degree of talent.
Rashti textile with vintage Persian embroidery
This stunning Rashti embroidery from early 20th century Iran makes use of vivid colours and exemplifies the variety of patterns used by Persian weavers. Large rug looks so beautiful. The complex design in the middle and the more abstract boteh design on the exterior of the item complement each other beautifully.
The Caspian Sea’s Rashti region is sometimes referred to as the “City of Rain.” It served as a hub for the export and production of silk during the time this item was made. Many of the regional designs carried over the typical hues and patterns of those made in the city during the Safavid Dynasty.